where the sphere transcends geometry, the hollow becomesmore than negative space, and color is no longer but innersubstance. I create objects that background slowthe viewer down and awaken something within. I do not illustrate or narrate; I pose question through form and color. For me, color is not decoration,but an interior space. It functions as an inner space — as if the object were “thinking” fromwithin.
I design site-specific art objects and spatial situations where object, space, and perception enter into dialogue — transforming presence into experience. Bespoke art objects for architectural and interior projects.Egyedi art-objecteket, építészeti és belsőépítészeti projektekhez. My work seeks the unity of conceptual thinking and aesthetic form — whether in autonomous artworks or applied design. I am interested in the meeting of disciplines, where object, space, and visual concept shape one another to create new spatial experiences. The works are not only meant to be seen, but to be experienced — completed through the presence of the viewer.
Pure color fascinates and inspires me.
In my practice, research always forms the foundation of both design and thinking. I am particularly engaged in exploring materials and technologies, as well as their practical applicability. It is important to me that a concept functions not only on a theoretical level, but also proves to be valid and workable in its realization.
My design approach is defined by a systemic and process-oriented way of thinking: I enjoy working within complex relationships, analyzing, rethinking, and shaping workflows accordingly. I am especially interested in the connections between different genres and fields, as they allow for more nuanced and layered expressions of ideas.
The objects in the series represent celestial bodies—visible ones such as the Moon and the Sun, as well as invisible planets—set within different atmospheric environments.Through the continuous transformation of positive and negative forms, they evoke planets rotating within infinite space.
photo: by Kala Kecskés
The drawn elements of the image are in contact with one another, forming smaller groups and engaging in their own distinct dialogues. They inhabit the entire wall surface.
In the café of the Mooncity Budaörs charging station, a starry sky unfolds above the tables in the form of illuminated installations. Seventeen constellations can be discovered within them, six of which are constellations visible from Hungary throughout the entire year. The stars feel within reach above our heads, while infinity surrounds us. The luminous fixtures bring intimacy to the space and invite contemplation, encouraging visitors to reflect on their own earthly existence. In this way, the public location offers a highly personal experience
I explored the intensity of carmine, the relationship between the tension inherent in color and form, and how form modifies the tonal value of color. The outer color envelops the object’s inner space like a mantle. The shell provides a frame and shape for an infinite, gaseous energy.
I was motivated by the sculptural interpretation of mobility: the experience of speed and the relationship between human and vehicle within a natural environment. természeti környezetben.
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