I pose questions through form and color. How can a form carry an inner world? What happens when an object is not only to be looked at, but to be perceived? For me, color is not decoration; it functions as an inner space — as if the object were “thinking” from within.
My Studies 1994–1998 Tömörkény István Secondary School of Art, Department of Ceramics, Szeged 1998–2000 Decorative Painter and Window Display Design School, Budapest2000–2005 Moholy-Nagy University of Art and Design (MOME), Budapest / Silicate Design Department, Porcelain Design Program / Diploma 2003–2005 Herend Porcelain Manufactory / Designer Practical Training Course2004 Hollóháza Porcelain Manufactory / Designer Practical Training Course 2004 Institute of Fine Art and Design, Limerick, Ireland 2005 International Ceramic Studio, Kecskemét 2008–2011 University of Pécs Faculty of Visual Arts Doctoral School / Painting Program Supervisors: Tolvaly Ernő (painter) and Bencsik István (sculptor, Professor Emeritus) Theoretical Co-supervisor: Fabényi Júlia Témavezető: Tolvaly Ernő festőművész és Bencsik István szobrászművész, Professor Emeritus Elméleti társ témavezető: Dr. Fabényi Júlia Teaching Experience 2005–2007 Abigél Primary Art School, Nyíregyháza, Sóstó / Ceramics: Theory and Practice 2007–2009 Moholy-Nagy University of Art and Design (MOME), Open University / Entrance Exam Preparation Course: Painting, Form Studies 2010–2011 University of Pécs Faculty of Arts / Free Drawing Course with Bencsik István 2011–2018 Budapest Metropolitan University / Ceramic Object Design, Sculpture, Form Studies
For me, ceramic, resin, metal, and pigment are not technical tools, but bodies that convey sensations.
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